We all want something to believe in. It’s 1987 and Frankie Vah gorges on love, radical politics, and skuzzy indie stardom. But can he keep it all down?

Following the multi-award-winning What I Learned From Johnny Bevan, Luke Wright’s second verse play deals with love, loss, and belief, against a backdrop of skuzzy indie venues and 80s politics. Expect frenetic guitars, visceral verse, and a Morrissey-sized measure of heartache.

Written and performed in deft verse by Fringe First & Stage Award for Acting Excellence winner, Luke Wright.

 

Reviews

“With Frankie Vah, he’s managed to craft a gorgeously-worded powerhouse of a play, in one of the only verse dramas that could claim to get a crowd cheering and stamping their feet throughout. Again.” ★★★★★ Broadway Baby

“This is a mature, lyrical and politically relevant piece of poetic writing … beautifully performed…  I watched and listened in awe and pleasure, just drinking, drinking, drinking in the beauty of this show.” ★★★★★ Exeunt

“This isn’t just socialist agit-prop, though; it reaches far further than that. In his visceral, virile verse, Wright skewers the essential cadences of all political drama” ★★★★ The Stage

“Luke Wright is a force in spoken word. His unique vocal delivery and his ability to spit out verse with vitality and passion is mesmerising” ★★★★ The Wee Review

“Luke explores the themes that are central to our lives, the light and shade of lives lived to the full. He connects with all of us in a performance that feels so personal that it must be his own story, but this is theatre, this is telling a tale, this is poetry in motion, a ballad for right now.” ★★★★★ Norwich Eye

“Wright brings energy, passion and self-deprecating humour to the stage, shining a perceptive spotlight on the left wing struggles against Tory dominance” RECOMMENDED SHOW, Fringe Review

“Wright memorizes and mesmerizes in equal measure. Unlike Ed Miliband no important sections of the play are forgotten. He leaves you spell bound, a storyteller and performer at the top of his game.” Neal Lawson, Open Democracy

“The show follows the rise of a performance poet in the 1980s and, as we grew up in that decade, felt he effectively reflects the feeling of that time – quite an achievement as the writer/performer is too young to have experienced this himself.” 9.75/10, Dark Chat

“Really well executed, funny, hopeful and high energy through out.” 9/10 Outline

“Oozes grit and force, truth and feeling. Wright is heartfelt and animated, and the show is engaging and stirring” ★★★★ To Do List

Fringe Highlight in Vogue, The Telegraph, The Stage, Exeunt, WhatsonStage, The Guardian, Edinburgh Festivals Magazine, Fringe Reporter

 

 

Written and performed by Luke Wright
Produced by Paul Jellis & Underbelly Productions
Directed by Joe Murphy and Alex Thorpe
Scored by Ian Catskilkin (Art Brut)
Lighting by Joe Price & Tom Clutterbuck
Technical Design by Tom Clutterbuck

Co-commissioned by Paul Jellis, Norfolk & Norwich Festival, and The Soho Theatre

Tour Dates
15 September – High Tide

Photo by Idil Sukan.